Craig Frohna's Piano Service LLC
Craig Frohna's Piano Service LLCCraig Frohna's Piano Service LLCCraig Frohna's Piano Service LLC
This site is dedicated to the memory of my father, Herbert Frohna, without whose love and patience, my life would not be as fulfilling as it is today.
Tuning on all modern makes and models, 1950's and newer. (Spinets / Consoles / Studios, & Grands) Sorry, no player pianos. I no longer tune old tall upright pianos and grands from the 1940's or earlier, which include old player pianos.
Your smile is your logo, your personality is your business card, and the way you make people feel is your trademark.
If your piano has been tuned in the last 1 - 2 years, most likely 1 tuning will be sufficient to make your piano sound like it should.
Regular tuning: $105.00 plus tax / fine tune
If it has been longer than that (3 - 5 years) it may need 2 tunings to bring it up to proper pitch. There are exceptions to every rule but this is what I encounter most of the time.
Pitch pull in 2 tunings back to back same day: $175.00 plus tax / 1 rough tune and 1 fine tune.
If it has not been tuned in over 5 years, chances are it will need to be tuned 3 times in 2 trips to your home. Again, there are exceptions but this is what I normally find after 5 years of not tuning the piano.
Pitch pull in 3 tunings / 2 tunings back to back same day / Return in 2 - 3 weeks for final tuning: $280.00 plus tax / 1 rough tune, 1 semi fine tune, and 1 fine tune.
Now, if you do not require the piano to be at proper pitch, then one tuning will do the trick. It can be tuned at the flattened pitch it is at, and will sound nice with itself, just flat in pitch. I do not recommend this though. Having a piano tuned to proper pitch trains the ear and is best for the piano to have proper tension on its str
Now, if you do not require the piano to be at proper pitch, then one tuning will do the trick. It can be tuned at the flattened pitch it is at, and will sound nice with itself, just flat in pitch. I do not recommend this though. Having a piano tuned to proper pitch trains the ear and is best for the piano to have proper tension on its strings. This is a decision I leave up to you.
If there are other issues with the piano, obviously that would incur an extra charge. I would explain in detail what needs to be done, or if it can wait, and then you can decide. I never do anything extra that would incur extra charges without your permission.
The best thing you can do for your piano is have it tuned at least once per year without fail.https://websites.godaddy.com/
What type of Vertical Piano do you own?
Spinet: 36 - 39 inches in height.
Console: 40 - 43 inches in height.
Studio: 44 - 52 inches in height.
Old Upright: 53 - 60 inches in height.
The tallest of the vertical pianos is the upright. I no longer tune this type of piano.
Today this term is usually used to refer to the "older, tall pianos" - Grandma's or Great Grandma's piano. There were many wonderful upright pianos made in America in the 1920's - 1940's.
If properly preserved these old pianos are some of the most esthetically beautiful and durable instruments ever made. The key is "properly preserved". If not properly maintained an old upright's only value is as a large piece of furniture, beautiful to look at but nerve racking to work on and listen to.
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What type of "Grand Piano do you own?
Over the years, there have been many names for grand pianos.
Some names are still in existence. Small grand, Baby grand, Medium grand, Living Room grand, Professional grand, Drawing Room grand, Parlor grand, Semi Concert grand, and Concert grand.
I like to refer to ALL grands by their size, from the tip of the keyboard to the rear of the piano.
5ft, 6ft, 7ft, etc, and all in between.
Hartland Piano............
Yamaha Pianos! Kawai Pianos!
The new facility of Hartland Music features the area's largest selection of grand and upright pianos.
Visit them at www.hartlandpiano.com
Artistic Piano Service and Sales
Wisconsin's best selection of quality pianos!
https://artisticpianoservice.com
Outpost Music
Piano lessons, instrument sales, repair, and rental. Rehearsal space, performance space, and much more.
www.outpostmusicwi.com
Music & Arts / formerly Melk Music............
Offering piano lessons, woodwind, brass, orchestral strings, percussion, and guitar lessons.
Band and orchestra instrument rentals, instrument repairs, sales, and sheet music.
Go to Instrument Rentals & Music Lessons in Muskego, WI | Music & Arts
White House of Music............
Digital Pianos!
The White House of Music knows digital pianos.
Go to www.whitehouseofmusic.com
WAUWATOSA
Wauwatosa School of Music / Cory Tcheng / 414-813-1744
Whitehouse of Music / 414-607-3900
Michelle Smith / 262-444-9324
Beginners up to Intermediate
BROOKFIELD
Laura Eiche / 414-727-5995
Erin McAllister / 608-333-2331
WAUKESHA
Pam Truax / 414-379-5061
Megan Dixson / 262-408-5310
Outpost Music / 262-542-6788
Waukesha Conservatory of Music
Located in the Hartland Music Building on HWY 83
262-367-5952
Whitehouse of Music
262-798-9700
MUSKEGO
Music & Arts / 414-427-1501
NEW BERLIN
Kerry Misurek / 414-520-7290
NORTH SHORE
Carol Hauer / 414-332-5647
Andrea Beisser / 414-332-4654
SOUTH SIDE
Alicia Rhyner / 920-312-1712
GREENFIELD
Carrie Sanders / 414-327-7336
OCONOMOWOC
Lake Country Conservatory of Music
Brandy Berry / 262-567-6615
PIANO WIZARDS
Jared McDowell
5101 N. 125th St.
Milwaukee, WI
414-570-7557
ON TRACK PIANO MOVERS
Brad Kronshage
262-442-9917
Muskego, WI
CT REFININHING
Charles Turner
W146 S6450 Tess Corners Dr
Muskego, WI.
414-482-7010
This is the most commonly asked question I hear from my customers. The answer? A piano needs to be tuned at least once a year without fail. I would like to answer this question in further detail and in a way that everyone can understand, but first, here are a few piano manufacturer's suggestions.
"Since the piano owner is not capable of determining the condition of tone and pitch, they should leave this to the judgment of the professional tuner-technician. Frequent consultation with your tuner is the surest way of prolonging the life and insuring the lasting beauty of tone."
"We advise that the piano, whether used much or very little, be given 4 tunings per year."
"It is always advisable to engage a competent tuner to take care of your piano by the year in order that it may be kept up to standard pitch. It is only in this way that the instrument can give the best results. This is most important. If a piano becomes badly out of tune it is difficult and risky to try to restore it suddenly to pitch. Do not allow strangers to tune or adjust your piano unless they are highly recommended by people you know."
"All pianos require periodic maintenance to sustain tonal quality and insure proper functioning of the action. Under normal circumstances, we recommend the piano be tuned four times the first year and 2 to 3 times a year thereafter. The best situation is to arrange with a reputable, established independent technician for regular care."
"We recommend that new Kawai Pianos be tuned 4 times the first year to counteract the normal stretching and settling, and twice a year thereafter in normal home use. Heavy usage, sudden and severe humidity and temperature changes and musicians precision requirements may make more frequent tunings necessary."
"We advise all owners of new Sohmer Pianos to have them tuned at least twice in the first four months after delivery. After this initial period, we recommend tuning 3 times per year if they are to be kept in perfect condition."
"Under stable temperature and humidity conditions, a piano may well require no more than 1 to 2 tunings a year. In areas with well defined changes of season, more tunings may be advisable. It is our recommendation that the piano owner employ only tuner-technicians of known ability, and that the owner be guided by the tuners advice concerning the proper care of the piano in its existing environment."
"Our feeling is that most people do not have their pianos tuned frequently enough. Of course, how often pianos should be tuned depends to a large extent on where they are located and how they are used. Where we have maintained our own retail operations, we have urged our customers to have their pianos tuned 4 times per year."
"It is our belief that a piano should be tuned at least 4 times per year, although most instruments seem to give satisfactory service with only 2 tunings per year. We feel that no piano should have fewer than this if it is to give the satisfaction and enjoyment that it should."
If you notice, each one of these piano makers make it well known that you should tune your piano between 2 to 4 times per year, and they are correct in stating this. So, when I say that a piano needs to be tuned at least once a year without fail, it goes without saying that this is the maximum time that you would want to leave your piano go without tuning.
It is necessary to understand why a piano goes out of tune. The whole instrument is under varying stress. The 220 plus strings are stretched at an average tension of 150 to 200 pounds a piece, so that the iron plate, together with the heavy wooden frame, carries a strain totaling from 18 to 20 tons. That is a great deal of pressure alone, but add to that a temperature or humidity change, and you can have a very sick sounding piano in a relatively short period of time. A guitar needs tuning every time it is picked up to be played. A piano doesn't need a tuning that often because it is built much stronger, however, it is a string instrument, and it does need periodic tuning.
The soundboard of a piano is crowned or bowed slightly upward against its strings as is the top of a violin. The steel strings vary in thickness and length and are, as I said before, stretched to approximately 20 tons of tension when the piano is tuned to proper pitch. Proper pitch is A440, meaning the first A above middle C vibrates 440 times per second. Every instrument in the world is tuned to this pitch, in fact, another name for A440 is "International Pitch". Each string also bears down on the soundboard crown with about 7 lbs. of pressure, which makes the total down bearing against the soundboard of nearly 3/4 of a ton. The piano is so well designed that when it is in proper tune, the great down pressure and tension are properly and harmlessly distributed.
During the spring and summer months however, the soundboard usually absorbs additional moisture, causing its crown to rise and press harder against the strings. If the piano is out of tune at this time, the tension and down bearing then will be unequally distributed and may warp or split the soundboard. If the piano is up to pitch and in good tune, there is little danger of this happening.
No matter what any salesperson may say, no matter how finely the piano may be made, or the price of the instrument, no matter, in fact, what the physical circumstances or domestic conditions may be, there is no such thing as a piano standing in tune month after month. Tuners know that if they had time to tune their own piano as often as their ears tell them, they would tune it at least once per month. From a strictly scientific point of view, it is probably true to say that no piano ever made has stayed in tune without a drop or rise in pitch for more that 24 hours unless it was maintained at a constant temperature and barometric condition.
From 50 years of experience, for the average piano owner, tuning twice a year should be sufficient, but once a year is absolutely mandatory. This must be done without fail in order to keep your investment in good condition.
When I call a customer to remind them that the piano should be tuned, I sometimes hear, "It sounds fine to me". This may be true in that the piano sounds in tune with itself, but what you don't realize is the drop or rise in pitch. This is why the piano must be tuned without fail at least once a year. If this is not done, the piano may fall or rise in pitch so much that it will take several tunings to bring it to its proper pitch and strings could and do break very easily because of this. In time, the bridges and soundboard could and do crack. What does this mean to the piano owner? $$$$$! Sometimes I also hear, "No one is playing the piano now". Whether the piano is being used or not, it needs periodic maintenance because of the rise and fall of temperatures and humidity conditions we experience throughout the year.
Keep your piano in tune and ready to play all year. This is worthwhile because it is fun to express yourself with music, which is why you purchased the piano. Simply tune the piano at least once a year and you will be saving money in the long run and protecting your investment.
My name is Craig Frohna and I started my piano tuning business in January 1975. My father, too, was a piano technician and he started his business in 1940 and ran it until his untimely death in 1986. This site is dedicated to him. Ever since I can remember, I have been surrounded by pianos, so it seemed likely that I would follow in my father's footsteps and become a piano technician just like him. And so, it was. He taught me every aspect of this business and it is he that I owe my livelihood to. He was a remarkable man and there isn't a day that goes by that I don't think of him. I know with each and every piano I tune or repair, he is beside me every step of the way.
Search engines are filled with names of tuners, but, like other skilled craftsman, it's hard to find a good one. How do you know if the technician you call is reputable? Sure, an A rating on Angie's List or Google is definitely helpful, but I have found that referrals from my customers is the best way to keep my business moving forward. Every day I am called by new customers, and I always ask how they heard of me. I always hear, "Oh, you tuned so & so's piano and they referred me to you." I let my customers find me new customers rather than advertising for new customers. Since the inception of my business, I have never spent a dime on advertising! I have found that the best advertising is simply this. Do your best work each and every time you sit down at a piano and the customer will be grateful and happy to recommend you to other people. It has worked for 50 years, and it is how I keep my prices the lowest in the city. My business is named after me so you can count on me doing the best job possible. My name and business depend on it.
Piano tuning is certainly not dull. I have tuned pianos in mansions, in a barn loft, in the back of semi-trailers, in kitchens, and in tents. Over the past 50 years I have met so many people through my tuning with so many different talents. Some of them are now my best friends and, in fact, it is how I met my wife. I hope you found this site to be informative. I had a lot of fun putting it together. Check back from time to time.
Herbert Frohna's School of Piano Technology
by Craig Frohna
Herbert Frohna was my father. He was quite a remarkable man. Nothing I can do or say can express my appreciation and gratitude I have for him. The teaching I received in his workshop regarding piano tuning and repair, the lessons learned about being the best I can be, and life lessons in general, have never been forgotten. Yes, as far as I'm concerned, there was a Herbert Frohna's School of Piano Technology and I was his pupil for 30 years. Thanks Dad. What a ride in life you have given me.
Herbert Alfred Frohna was born October 28th, 1915 in Thalheim, Germany. In May of 1927, at the age of 11, Herbert, along with his mother, sister, and three of his brothers, came to the United States of America, settling in Milwaukee, Wi. His father and another brother arrived 4 years earlier.
Self-taught to play violin in Germany, he got serious about playing shortly after arriving in the states. It was obvious that he showed great potential, and in 1930 at the age of 14, he was introduced to violin teacher Lenore Auer, at The Wisconsin Conservatory of Music located on the east side of Milwaukee. She was so impressed with his musical abilities, she purchased a violin for him, to be paid back weekly by income he received from working part time in a book bindery. It was an expensive violin, so it took a long time for him to pay her back, but he did.
He performed in many violin recitals at the Conservatory and did a lot of accompanying for soloists for the Milwaukee Maennerchor, one of many German choirs in Milwaukee, and for many vocal soloists and pianists at the Conservatory.
In 1943 at the age of 29 he was drafted into the US Army. He rarely ever talked about his time in the service, but he did say that it was his music that kept him sane. He did lots of solo work and accompanying. His name appeared in an article in Paris Society News on 9/3/1945.
It was in the service that he befriended a man named Casey Schneider. I know he was from Wisconsin but not the Milwaukee area. Casey taught the basics of piano tuning to my father over whatever down time they could find. Along with playing violin when he could and learning a trade, time went by quicker than it otherwise would have.
Returning to Milwaukee in 1946 he worked full time for Leroi Air Compressors, located on Teutonia Ave in Milwaukee, joined the Waukesha Symphony and started tuning piano's part time. Quitting the Waukesha Symphony in 1951, he joined the Milwaukee Symphony. In 1959, Leroi moved its operations to Sidney, Ohio. Making more money working there than with the Symphony and tuning piano's part time, we packed up and moved to Sidney.
Although a great little city, the music culture was limited at best. To say the least, Dad missed the Symphony. He met Shelby Cartwright, a piano teacher and accompanist, originally from Detroit. They enjoyed each other's company (musically) and spent lots of time playing music together. They even made a reel-to-reel tape which I have. The sound quality is not that great, but you can hear the talent they both possessed.
Dad also teamed up with Carol Nott, a very accomplished pianist who was on the faculty at Oberlin Conservatory of Music, Oberlin, Ohio. Even at a very young age, I actually looked forward to the numerous three hour drive, one way, to watch and listen to them play. Carol was a dear friend of Van Cliburn and it turned out that one evening, we all got to meet this famed pianist at Carol's home in Oberlin. All I remember was listening to these three "stars" talk and play music, and one of them was my father. To this day, The Carol Nott Piano Pedagogy Prize is awarded to an outstanding graduating senior for continued study in piano pedagogy.
After living in Sidney for 8 years, Dad just had to get back to Milwaukee to do what he did best, play in the Symphony and tune pianos. So, he traveled to Milwaukee in June of 1967, auditioned for the Symphony, received the good news that he passed the audition, and in August of 1967 we headed back to Milwaukee.
Dad played in the Symphony until 1974 when all the traveling with the Symphony got to him. He had been tuning piano's part time throughout his life and at this point he decided to go into piano tuning full time. Thanks again Dad. You're with me every day.
Herbert Frohna 10/28/1915 - 4/5/1986
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